Mixed Emotions by Roberta Fineberg, Contemporary Color Photography Homage to Italian Film Stars
Mixed Emotions, Sicily, Italy, Alain Delon and Claudia Cardinale, 1960s
Mixed Emotions, Sicily, Italy, Alain Delon and Claudia Cardinale, 1960s
  • Load image into Gallery viewer, Mixed Emotions by Roberta Fineberg, Contemporary Color Photography Homage to Italian Film Stars
  • Load image into Gallery viewer, Mixed Emotions, Sicily, Italy, Alain Delon and Claudia Cardinale, 1960s
  • Load image into Gallery viewer, Mixed Emotions, Sicily, Italy, Alain Delon and Claudia Cardinale, 1960s

Mixed Emotions, Sicily, Italy, Alain Delon and Claudia Cardinale, 1960s

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A contemporary color photograph by Roberta Fineberg, the image is an homage to great Italian cinema of the 1960s, capturing French actor Alain Delon and Italian actress Claudia Cardinale in a film classic The Leopard directed by Luchino Visconti.

In the film Prince Don Fabrizio Salina (played by Burt Lancaster) allows his nephew Tancredi (Alain Delon) to marry the stunning Angelica (Claudia Cardinale), daughter to a nouveau riche, in order to maintain the aristocratic family's material comfort and political power.

The photograph reframes Delon and Cardinale within 4 quadrants, appearing in the sign of a cross, a nod to the history, time and place in Sicily, Italy where the The Leopard is set.

Mixed Emotions, 2018 by Roberta Fineberg is 17” x 24” an archival pigment print on Japanese rice paper in an edition of 5. Signed, titled, dated by the artist.

Provenance: RF Studio

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Artist's Bio:

As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and the development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary photography), play, timelessness, the enduring, and the significance of matter.

RF, living in New York City, began her career as an editorial photographer while studying in Paris. In France she contributed both photography and writing to publications, landing a column (photos and text) with The Saturday Review while exhibiting photographs in public spaces. Roberta Fineberg’s freelance photography appeared in Le Monde, Jeune Afrique, Paris Match, L’Officiel Femme, Ms, Weltwoche, Vanguardia, among others with images licensed through stock agencies. Photographs were selected for cover art at W.W. Norton, St. Martin’s Press, Harcourt, Bookspan, Simon & Schuster, etc. Print Regional Design Annual New York (2003) awarded her for book jacket photography for If Wishes Were Horses. In 1997 Macmillan published City Riders: A Story of Riding and Friendship her first book of black-and-white photographs and a story about three teenage girls in the 1990s who rode horses at the now-defunct Claremont Riding Academy and oldest stable in New York City.

In 2023, RF created an interactive installation, works on paper on the female body, in a public space. In July 2022, Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2020, 2022), CADAF online art fair (2020), Gallery122 New York pop-up group show (2018), Curate NY online group show (2013), Paris Photo: Photos, Femmes, Feminisme group show (2010). Fineberg’s photography is in private and public collections, including portraits of women writers at the Bibliothèque Nationale and Bibliothèque Marguerite Durand in Paris, France. She was awarded 15 laurels (2020-2023) from independent film festivals worldwide for her experimental video, You Will Never Beat New York (2020). 

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